A review of the book written by Stephen King
Having confronted the Man in Black, Roland continues his journey to the Dark Tower. After being brutally attacked by lobster-like creatures from the sea, Roland is mortally wounded. He must now face the prophecy left to him by the Man in Black: he must draw three companions. But these companions are from different time periods in another world—our world. A mysterious door appears on the beach, beckoning a dying Roland to enter.
The Gunslinger was essentially a collection of related short stories. The Drawing of the Three wasn’t originally written as short stories, but it achieves a similar effect, though each drawing becomes more and more interconnected with Roland’s world. It’s an interesting effect, as though King transitions us from the format of The Gunslinger to the format of The Waste Lands. The Drawing of the Three, then, is that middle story, that moves us collection to novel. This transition also stalls the story progression. As we move from “Roland” to “Roland and crew,” we spend extended time just getting to know these new characters (and we have one more character to get to know in book three). So, the entirety of the movement in Roland’s world is a few miles on a beach. There is progress as Roland meets and recruits his companions, but we feel no closer to finding the Dark Tower and discovering what evil is destroying Roland’s world.
- The Prisoner: Eddie Dean – A drug addict, Eddie makes a great foil for Roland. Where Roland is grim, serious, and humorless, Eddie is laid-back and a bit sarcastic. Roland quickly recognizes that Eddie has a strong mind, but he is a prisoner to both his addiction and his devotion to his brother.
- The Lady of Shadows: Odetta Holmes/Detta Walker – An African-American woman with a split personality. Living during the Civil Rights era, Odetta Holmes has seen great injustice. Due to two violent assaults, she has manifested a second personality, the evil and cunning Detta Walker. Neither personality is aware of the other.
- The Pusher: Jack Mort – A greater evil than Detta Walker, Jack Mort is an accountant whose hobby is stalking people and pushing them to their deaths.
While I thought the characters in The Gunslinger were not up to Stephen King’s normal standards, the characters in The Drawing of the Three were stronger. In fact, Eddie’s section was hard for me to put down. He has a great interplay with Roland. They become comrades who, while not quite understanding one another nor always agreeing, learn to work well together.
(O)detta is harder to like because the Detta persona is difficult to read. I didn’t enjoy being in her head. She is an extreme caricature, a stereotype. I could never quite decide if this was interesting or in poor taste. It is an interesting concept, however, that the two personalities must be brought in to balance. It is actually through Jack Mort that this happens. My only disappointment is that we don’t get to see much of the new (O)detta, now dubbed Susannah. That has to wait until The Waste Lands.
Overall, I have few complaints about the characters introduced, though I still miss some of King’s supernatural characters. I loved when Roland and the Man in Black had their meeting. I enjoy the otherness of these supernatural, though malicious, characters. When King digs in to human evil, it cuts too close to reality for my taste.
Roland needs companions. It is too long since he has had peers who could challenge him and question his single-mindedness. Roland learns quickly that he cannot journey to the Tower without these comrades. Eddie challenges Roland in interesting ways, not least of which is calling Roland out as a “Tower junkie.” But I can’t help but wonder why the Man in Black prophesied the Drawing. As a reader, I want Eddie and Susannah to be able to trust Roland. But I also have to keep in mind that he willingly let Jake die. Eddie and Susannah may help Roland find redemption for things he has done in the past, but I don’t think the Man in Black intends this.
I thought a lot about King’s portrayal of Detta Walker. What I have come to realize is that King often shows hatred as caricature. This is seen in Detta Walker’s personality, which Eddie himself calls out as a cliche. But I’ve seen King use similar cliches in other books, and they always seem connected to people who have given themselves over to hate. (Margaret White in Carrie and Sylvia Pittston in The Gunslinger come to mind. Both justify their hate with religion.) With this, King seems to say that we become the worst version of ourselves when we hate. In fact, we become a cartoon, something that isn’t real. To paraphrase how Roland puts it, they become “what is always said or believed by people who think only a little or not at all.” There are may portrayals of evil in King’s novels, but he seems to consistently show the evil of hate as something that makes a person less human and less real. They become a cliche.
King’s style is more confident and natural. His characters are presented clearly. The division of the book into “shuffle” and “drawing” sections was an interesting way to tell shorter stories in our world and connect them with Roland’s world. However, I think Detta can be off-putting. I like the idea of exploring the rage caused by racism and this was certainly a striking, memorable way to do it. I just don’t enjoy being in that head space.
Personal Enjoyment: 6
One thing that I always loved about the concept of The Gunslinger is the promise of Western-as-fantasy. While I have yet to finish The Dark Tower series, it is moving quickly to fantasy and hardly any Western tropes to justify the Western classification. The first book had endless deserts. It felt like Leone with a dash of Lovecraft. Roland pursued a man in black who wronged him. It was a story of revenge, a full-on Western trope. But this book felt more like Lovecraft’s Dreamlands and vague memories that at one time, this was a Western. Roland pursues a magic Tower. This is more of a fantasy trope than a Western one. Perhaps this changes in books 4-7.
While there’s nothing wrong with this change, the difference is so striking that it is entirely possible to love one and not the other. There are thematic and tonal promises in The Gunslinger that are not continued here. And while I preferred the style and characters in this book, I prefer the tone and dark, Western tropes of The Gunslinger. Neither book completely delivers what I think this concept—and King’s talent—are capable of.
Final Rating: 7/10