Chapters 1 – 4
I can’t imagine this would be a fun novel to write. Oh, I’m sure crafting the story was fun, but the pressure of having the first post-series, original would be intimidating to me. Without a doubt the demand was there. Doctor Who had been off the air for about a year and a half. The show was moving in an interesting direction, making the Doctor more mysterious, giving us a manipulative Doctor who had thing planned out far in advance, someone who took on gods and monsters and won. There were more stories to tell. So many more stories to tell.
Virgin Publishing stepped in to this gap and chose to continue where the series left off. Doctor Who had been in print before, so that was nothing new. What was new, however, was both the original stories aspect, not just a novelization of an episode, and the audience. The New Adventures were not written for the family audience as the show typically was. They were written for the fans who had grown up with the show. Presumably, these fans had money. But what, exactly, constitutes Doctor Who for adults? Complex stories and themes? Darker stories with difficult ideas? Sex?
In practice, all of the above, it would seem. Within these first four chapters, Timewyrm: Genesys gives us naked Ace, adultery, misogyny, groping, sexual assault, and Mesopotamian temple prostitution. These elements aside, what I’ve read so far is somewhat typical territory for Doctor Who: an alien crashes on Earth and sets herself up as a goddess. But that doesn’t mean the story isn’t interesting.
Peel sets this original Doctor Who adventure at the time of Gilgamesh, who is typically considered one of the earliest epic heroes. Gilgamesh was probably a historical figure during the Bronze Age, a king of the ancient city of Uruk. Timewyrm: Genesys, then, in Doctor Who fashion is telling us the “real” story behind the Epic of Gilgamesh. I can get behind that. I enjoy ancient Near East studies. Based on the fragments of the epic that we have, Gilgamesh doesn’t come off as a noble figure. His best friend Enkidu was created by the gods to distract the king who takes any woman he wants. Gilgamesh is a bully and more than a little rapist. This aspect of his personality is present in Peel’s novel, so I think we can put a dark check in the adult box here. The early conflict in the novel comes when Gilgamesh spurns the alien, who eventually takes on the guise of the goddess Ishtar (this is also drawn from the epic tale). And so we have an unlikeable king whose downfall is being planned by jealous nobles and an evil alien who takes control of people’s minds. Where adaptation is concerned, this is interesting. Where likable characters are concerned . . . nil.