Pip and Jane Baker
What’s It About?
The TARDIS materializes near a coal mine in the 1800s as the Luddite rebellion is breaking out. But the Doctor and Peri soon discover that the Luddites bear an odd mark on their necks. And it is soon revealed that the Doctor isn’t the only Time Lord on the scene.
Pip and Jane Baker are, as I understand it, a hated writing team among Doctor Who fans. This was the first story I have watched by them. While I don’t think “Mark of the Rani” is the worst Doctor Who story I’ve ever seen, I do see why some fans may not like it. I think the worst thing I can really say about the story is that the two 45 minute episode format is a huge stumbling block for this era of Doctor Who. “Mark of the Rani” would probably be fine if it was just 45 minutes and no more. There seems to be a lot of padding or at least a large amount of unevenness. But are those due to the script or the directing. I don’t really care, however. For some reason “Mark of the Rani” was fun. I really enjoyed it, and I think that was largely due to Kate O’Mara. The Rani is a fascinating concept. She is a Time Lord who rejected Time Lord society and set herself up as ruler of some other planet. But her people need chemicals to help them sleep, and humans have those chemicals, so she uses her scientific knowledge to extract what she needs from humanity. She doesn’t care about the consequences.
Since I am at the end of the semester (which is why this post is later than I have usually been scheduling them), I want to briefly reflect on actors who brought to life poorly written or otherwise uninteresting roles.
- Kate O’Mara as the Rani. For some reason, this performance me. She is a Time Lord villain with a decently plausible motive for her nefarious deeds. O’Mara’s performance is wonderful and really stands out against Ainley’s Master and Colin Baker’s Doctor. She’s caught in the middle, but just wants to be left alone.
- Roger Delgado as the Master. With as much reverence as Delgado is held in by fandom, I expected his Master to be amazing and brilliant. Unfortunately, he had incomprehensible plans, made all sorts of unusual decisions, and had no consistently discernable motive. But Delgado’s Master is still fascinating to watch because Roger Delgado brought class and villainy to this role. It could have been played camp (and by Ainley it was), but you would never know it because of Delgado.
- Philip Madoc as anything, really. Madoc was brilliant because he managed to balance absurdity with believability. His masterwork in this regard is Dr. Solon in “The Brain of Morbius.” This character was extremely strange and morbid and could have failed miserably. Philip Madoc turned this role into something you couldn’t stop watching, and he threatened to upstage even Tom Baker.
I’m sure I could name many more. What are some of your favorite roles? What actors really made something memorable when they could have easily not bothered?