What’s It About?
A strange artifact discovered on Earth has ties to Turlough’s past.
Would You Show No Mercy to Your Own
Of the four companions to get a send-off during the Davison era, I think Turlough comes off the best. Peter Grimwade, more than Saward (who was responsible for writing two of these send-offs) is able to handle the character drama better than most. Even though we had been toyed with where Turlough’s past is concerned, Grimwade provides a moderately satisfying conclusion and a believable exit to the character. This makes me happy since Turlough was probably the best-realized companion of the era.
But there is a contrast here with Peri, who I’m tempted to see as a scathing portrayal as an American but in reality just see as a poorly developed character. This isn’t down to Nicola Bryant, per se. It is hard to judge her acting chops with this character because the character seems so ill-conceived. From episode one it seems clear that Peri’s main role is titillation. The blocking of certain shots make this painfully clear. Once more, I’m grateful for Big Finish’s redemption of certain characters in Doctor Who.
But impressive is Grimwade’s handling of a checklist of ideas. No, “Planet of Fire” isn’t a bona fide classic, but Grimwade does seem adept at taking the checklist and doing his best with it. Much like Terrance Dicks with “The Five Doctors,” although I think “Planet of Fire” has more satisfying character moments. Grimwade’s challenge here is to reveal Turlough’s past and subsequently write him out of the show, introduce the Peri, and resolve the Kamelion (non)arc. It isn’t a long list, but each item on its own would be enough emotional and plot drama for an entire story. That Grimwade is able to put all of these in while at the same time scripting a passable main plot is admirable. And that this script actually feels more like an end of an era is fascinating, especially as Davison has one more story left. “Planet of Fire” shakes off everything that had been a part of Doctor Who since “Castrovalva.” On some level, you can make a case that the Davison era ended here because “Caves of Androzani” (the final Fifth Doctor story) is a different beast entirely. This is the final story where the Fifth Doctor can be the Fifth Doctor. This is the final story where the Fifth Doctor faces the Master. This is the final story with a Fifth Doctor companion. And while Davison is still there in the end, you can tell that the Doctor is not quite sure where things are going to go from here. He almost seems to sense that the end is around the corner, and Peri is an indication that his time is over.
And given its tone, “Planet of Fire” is a wonderful break from the darkness that Saward has been spreading over his vision of Doctor Who.