Bob Baker and Dave Martin
What’s It About
The search for the Key to Time is near its end. The Doctor and Romana have traced the final piece to Atrios, a planet in perpetual war with the nearby planet Zeos. Their ruler, Princess Astra, has been abducted, and their Marshal seems to be taking secret orders from an unknown source. And hidden in the darkness between the two planets is a third planet, a shadowy planet.
I’ve Stopped the Universe
At least, that is how this story feels. It is six parts, and it is slow. This is a shame because on the whole, season 16 has been a lot of fun. “The Ribos Operation,” “The Stones of Blood,” and “The Androids of Tara” were great stories. “The Pirate Planet” was full of witty dialogue and was conceptually amazing, but it was a bit too ambitious to realize. It has only been these last two stories, “The Power of Kroll” and “The Armageddon Factor” that have let the season down. Bob Baker and Dave Martin are usually great at concepts, even if they don’t always realize them. And while the idea of the final segment being a living, breathing, sentient being is a great idea that has the potential to create a moral dilemma, in the end even that is squandered, and we have the equivalent of a megalomaniac trying to assemble a super-weapon. The tension between the White and Black Guardians, the restoration of balance to the universe, is gone. The scope is nothing more than a Cold War space opera, which doesn’t even have the courtesy to work on a meta-textual level. Indeed, what could be more fascinating than the Guardians being a metaphor for the East and the West, and true balance being the unification of the two. There is no shadow without light; there is no yin without yang. The anima and the animus. This is not pursued, and neither does “The Armageddon Factor” attempt to subvert them. And all the potential of the Key to Time falls apart.
In truth, at the end of this second Graham Williams season, I feel sorry for the show. I genuinely believe Williams wanted the show to succeed. The entire concept had potential, and the season started well. But beyond the MacGuffin, there seemed to be no real unity to the concept. There themes didn’t play out as well as they should have. This was one of the most ambitious stories Doctor Who had ever told, and it failed. And it is incredibly sad knowing that Graham Williams’ troubles are far from over.