Who Wrote It?
What’s It About?
Continuing their search for the segments of the Key to Time, The Doctor and Romana arrive on Tara. Romana goes in search of the segment; the Doctor goes fishing. But both soon become embroiled in local politics as the evil Count Grendel has a master plan for deposing the good Prince Reynart.
Would you mind not standing on my chest? My hat’s on fire.
Spring Break and Spring Holiday are over. I’m in the down-hill stretch of my semester, which has really interfered with my blogging pace. Papers on redaction criticism and comparative criticism have dominated the past couple of weeks, and the next two weeks have two document design projects which are demanding my attention. And I was making such good progress in “The Key to Time.”
I finished “The Androids of Tara” two weeks ago, but I didn’t have a lot to say about it. While the first three installments of the “Key to Time” season had some interesting, and often masterfully-handled thematic material, “The Androids of Tara” is just flat-out fun. It is an adventure story. In fact, it could be argued that “Tara” is a retelling of “The Prisoner of Zenda,” an argument that I’ll let others engage in since I have never read or watched “Zenda.” But the bottom line is that this story is fast-paced and a lot of fun. In atypical Doctor Who fashion (atypical at this point in the show’s history, at least) this is a story where monsters are not important; only one monster appears—the dreaded Taran bear—but it is entirely incidental to the plot. The real monster is Count Grendel, a thoroughly human character. He is plotting to seize the Taran throne. Thus, “The Androids of Tara” is a swash-buckling adventure story. It is full of humor and the pace is tight, making it a good story to introduce new viewers to Doctor Who. “The Androids of Tara” is a fun romp and a nice break from some of the heavier thematic material this season.