Originally I had hoped to review each episode of Miracle Day, but my work schedule prohibited it. There just wasn’t enough time in the week. However, I have decided to put my thoughts out there up through episode seven because it would seem much of the opinion of the series is negative. And while I think Miracle Day is far from perfect, I personally enjoy the story so far and am excited to see Miracle Day as part of the British science fiction tradition.
Now, I realize some people will take issue with that last sentiment. One complaint about Miracle Day is that the show is “too American.” I disagree. This week I have been watching episodes of the Channel Four series Sci-Fi UK. This show aired in the mid-90s and celebrated Britain’s contributions to the science fiction genre. The show covered H.G. Wells, Frankenstein and its various incarnations, Doctor Who, Gerry Anderson, Nigel Kneale, and many more. And I must say that if I take anything away from the British contribution to science fiction, it is that the British bring a lot of thought-provoking material to the mix. Now let me be clear, I’m focusing mainly on television and film. American science fiction is alive and well in book form, but our contributions to television and film are primarily CGI and spectacle. America’s contribution to television and film science fiction has been forever altered by Star Wars, which was visual escapism. Don’t get me wrong, I enjoy the original Star Wars trilogy, but I enjoy it for world-building not for thought-provoking drama. When it comes to science fiction, I want the thought-provoking drama, which is why I have gravitated toward British science fiction. And I still classify Miracle Day as distinctly British, not because it has scenes in Wales, but because it is conceptual drama(1). When Americans attempt conceptual drama, it tends to come off as preachy. We Americans are not known for our subtlety.
Conceptual drama was what I loved about Children of Earth. Sure, CoE was bleak and depressing, but it held up a lens to British government (and I think, by extrapolation, governments in general), and really showed how the hallowed halls of legislation are filled with people who would work to save their own backsides in much the same way the unwashed masses would. In fact, CoE went so far as to suggest that the unwashed masses would help one another more since they were in the act of living together rather than being separate from one another. For me, CoE was Torchwood delivering on its promise of being “adult” Doctor Who(2).
On that thought, episode seven is the first to actively reference The Doctor in this new Torchwood story. I didn’t expect the reference. But what made me most intrigued by it is the suggestion that Captain Jack is forever trying to be The Doctor and failing. Here is the wonderful irony in the Doctor Who / Torchwood conceit. In Doctor Who we are told that The Doctor makes us better, that by following The Doctor’s example, we will become better people and usher in a better society. Then Torchwood comes along and shows us a man who is actively attempting to be The Doctor, and continually getting people killed or setting up some great threat that will manifest decades later. If anything, Torchwood seems to be suggesting that any attempt to be The Doctor means you will die a martyrs death. Or perhaps it merely suggests that Captain Jack is too self-centered to be The Doctor for any real length of time. I wonder if there is any commentary on fandom here.
Back to Miracle Day, if I were to lay a major flaw at its feet, I would say it is too long and spread over too much time. Children of Earth was tight and it had the feeling of a major event since it was aired over five consecutive nights. Miracle Day, I believe, is suffering from stretching the story over ten weeks. I think we are witnessing a bit of padding and the story would be enhanced by trimming it down to five or six episodes. The current format may be dictated by the American market, but we are in the summer months, so I would think Starz could take the risk on consecutive nights. BBC America did with some success. Regardless, the story, as is, is it a bit too loose and rambling, sometimes repetitive. It could use some tightening.
[The following section removed at request of the Edwardian Adventurer coherency council, citing Section 14b, Sub-Paragraph 7: “Any observations not meeting achieving a coherency rating of BB.4 are subject to revision or deletion.”]
With the most-recent episode (seven), I feel like we have finished with the filler and are moving forward toward the conclusion. Some major pieces were given shape, and indications are that the threat may not be as alien as originally theorized. But at the heart of the miracle, would seem to lie the very human emotions of love and rejection. Again, Jack, by attempting to play The Doctor, hurts those around him. Jack, on some level, seems to enjoy playing the part of the mysterious traveler with no ties. And yet, he is still human and longs for relationships. Jack is like the obsessive fan who attempts to imitate his fictional idol. Jack is constantly pretending to be something he isn’t, as strongly sign-posted in a conversation with Gwen, when both parties threaten to kill one another for their own ends. Gwen mentions that she thinks she knows Jack better in this moment than she ever did. And I think this is key. Jack has never been more transparent than he was in this moment. He admitted, with his threat, that he is not The Doctor, no matter how hard he pretends he is.
In conclusion, I think Miracle Day is a good trial-launch of the Starz-BBC Worldwide partnership. I like that the show is still dealing with conceptual issues rather than monster-of-the-week. I love the addition of Rex Matheson as a brash, arrogant, know-it-all. Basically, an American. I love the mystery and the humor. In short, I think Miracle Day is a good relaunch of Torchwood.
(1)I am not, however, arguing that Cymru Who is falling into this same tradition. The current incarnation of Doctor Who has many British traits (eccentricity, British colloquialisms, etc.), but it is quite wrapped up in special effects and spectacle. The way Stephen Moffatt has plotted series six screams spectacle, it is style over substance. It may be fun, it may be entertaining, but it is hardly conceptual or thought-provoking. If anything, it continues to illustrate that Doctor Who is a microcosm of the history of television and, with its current incarnation, it illustrates that American television dominates the Western market. Cymru Who is British television putting its own spin on American style.
(2)I understand that fans of the first two series of Torchwood would loathe CoE and Miracle Day. The format is different and the sense of fun (read: silliness) is almost completely gone. I sympathize, I truly do. However, I would also posit that those early episodes of Torchwood were, despite being filmed in Cardiff, more influenced by American television than British, as has Doctor Who (at least where RTD was concerned). Genre television hasn’t seemed to escape the influence of Joss Whedon, especially when analyzing the effect of Buffy The Vampire Slayer. I would say that Buffy is to sci-fi television what Star Wars was to sci-fi movies. It is the model to which many sci-fi producers turn. Just look at how RTD and others involved with Who and Torchwood refer to the shows, how they refer to the characters. We may as well recast the shows as Doctor The Alien Thwarter and Jack, which doesn’t sound as absurd but I was trying to make a reference to Angel and there wasn’t much to work with in the title. I could probably make a stronger case if I could be bothered to watch Buffy, but I had a roommate in college who was obsessed with the show and that obsession has left a very bitter taste in my mouth and sometimes I just wanted to tell him to turn off the bloody television so I could study my psychology homework or at the very least so I could concentrate as I tried to make my way through The English Patient because lord knows it was bad enough having to read it for class, but I certainly can’t retain any information with your Whedon-fest going on three hours a day. And when do you study, anyway, because all I ever see you do is watch television and play computer games?(3)
(3)The fact that I have only seen a few minutes of Buffy is not, in any way going to prevent me from speaking authoritatively on the subject.